In 1933. after residing in South and Central America for decades Foujita returned to his homeland Japan where he was greeted as a major figure in the art world. While in Japan, during World War 2, he was a notorious creator of nationalistic propaganda. In 1938 the Japanese Navy's propaganda department encouraged his relocation to China as a war artist. After the war he left Japan and roamed the world but he was often despised for his former militaristic work. Painter Yasuo Kuniyoshi virulently opposed Foujita's exibition at the Kennedy Galleries because he considered Foujita to be a fascist and a racist.
Catmota is a showcase for intriguing art from the undiscovered to the influential. Whether it achieves stillness in the midst of chaos or shatters the serene, art should be seen without the corrupting influence of fads or wealthy collectors.
Tuesday, May 5, 2015
Marché aux Puces
In 1933. after residing in South and Central America for decades Foujita returned to his homeland Japan where he was greeted as a major figure in the art world. While in Japan, during World War 2, he was a notorious creator of nationalistic propaganda. In 1938 the Japanese Navy's propaganda department encouraged his relocation to China as a war artist. After the war he left Japan and roamed the world but he was often despised for his former militaristic work. Painter Yasuo Kuniyoshi virulently opposed Foujita's exibition at the Kennedy Galleries because he considered Foujita to be a fascist and a racist.
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